AI 영상 프롬프트
신랑 신부님을 위해

01-01 공중부양 카메라 분해

SCENE CONTEXT A man sits centered behind a wooden table against a pure black studio background, his hands holding a black compact full-frame cinema camera with prime lens at chest height. A rubber air blower stands on the table. He performs a surreal product-magic routine: he drops the camera and the fall freezes mid-air, he twists the lens off the floating body with his own hands and leaves it hanging in the air beside it, blows the dust off both hovering parts, then takes the lens and screws it back onto the floating body himself; time resumes, he catches the camera and presents it with a confident look. LOCATION MAP Foreground: polished warm wooden tabletop with soft reflections. Midground: the man seated at table center, the camera held at chest height, the rubber air blower standing upright to the right on the table. Background: seamless black void. Camera directly in front of the table at chest height. Single soft key light from upper front-left, subject's right side falling into shadow. FIRST FRAME / BLOCKING Man centered, seated, hands holding the camera in both hands at chest height, gaze down at the camera. Blower upright on the table at frame right. Symmetrical frontal composition, headroom tight. FORMAT MODE One continuous shot, the camera does not cut on its own. OPTICS MS, 47°, no drift mid-segment. Deep enough focus to keep face, hands, both floating parts, and the blower sharp. CAMERA Locked-off static camera at chest height, directly frontal, zero movement for the full duration. Wide tonal latitude with gentle highlight roll-off on the glossy black camera surfaces. ACTION 0.0s to 1.5s — the man holds the camera out over the table with both hands, then opens his fingers and releases it; both hands lower for a beat. 1.5s to 2.2s — the camera falls 5 centimeters, then the fall locks into extreme slow motion: the camera hangs suspended in mid-air over the table, descending at 0.3 km/h. 2.2s to 4.5s — his left hand steadies the floating body while his right hand grips the lens barrel and twists it counterclockwise off the mount; he moves the freed lens 20 centimeters to the left and opens his fingers — the lens stays hanging in mid-air where he leaves it; both hands withdraw, leaving the camera body floating on the right with its red mount ring exposed and the lens floating on the left. 4.5s to 7.0s — he picks up the blower with his right hand and squeezes it three times at the rear element of the hovering lens, then twice at the exposed mount of the hovering camera body; visible dust motes puff off both parts and drift through the key light beam; each part bobs softly under the puffs and settles back into place. 7.0s to 8.0s — he leans in slightly, eyes narrowed, inspecting the hovering lens glass in the key light; he sets the blower back down. 8.0s to 10.5s — his right hand takes the lens out of the air, brings it to the mount of the still-floating camera body, aligns the white index dot, and screws it in clockwise with a firm click while his left hand steadies the body; the floating object is now the assembled camera again, still suspended; both hands withdraw for a beat. 10.5s to 11.5s — his right hand closes on the grip of the camera; the instant the fingers close, slow motion releases and normal speed snaps back with a small dip of his hand as the remaining fall momentum lands. 11.5s to 13.0s — he places the camera upright on the table facing the viewer, rests both forearms on the table, looks straight into the camera, and lets a slow confident half-smile form, one eyebrow slightly raised. PERFORMANCE Calm, deadpan focus throughout; a working technician's economy of motion, treating the frozen mid-air camera as a routine workbench. Eye-line tracks the mount, the lens, the blower in turn, then locks straight into the camera for the final look. Slow blinks, relaxed shoulders, pore-level skin detail, catch-lights in the glasses from the key light. PHYSICS Both floating parts obey slow suspended gravity: near-stationary hover, faint rotation, each casting its own soft shadow on the tabletop below. When his hand twists the lens off, the floating body reacts with a tiny counter-rotation that settles at once; the released lens holds exactly where his fingers leave it. Air from the blower makes each part bob and drift a few centimeters before settling. Dust drifts as fine motes visible only inside the light beam, dispersing at 1 km/h. At reattachment the mount engages with tactile mechanical resistance under his grip. Hands, the blower, and the man cast contact shadows on the wood. LIGHTING Single soft key from upper front-left, 3200K warm tungsten mood, background held at pure black, tabletop catching a warm reflected glow. Specular highlights slide across the black surfaces as the parts turn. Camera positioned on the shadow side of the key axis. AUDIO Quiet room tone, a slow mechanical ratchet as he unscrews the lens, three then two short air puffs from the blower, a firm click as he locks the lens back in, gentle thud as the camera settles on the wood. STYLE Photoreal commercial product-magic aesthetic, crisp 4K clarity, fine natural grain, high contrast between warm subject and pure black void. OUTPUT SETTINGS 4K, 16:9, 13 seconds. Real-time throughout except the dropped camera and its parts, which hang in extreme slow motion from 1.5s to 10.5s while the man moves at normal speed. POSITIVE LOCKS Camera stays locked and static for the entire shot. The background stays pure black in every frame. Hands keep identical appearance in every frame. Every detach and reattach is performed by his hands — the parts move only when his hands move them, and hold their position in mid-air the moment his hands let go. The parts float unsupported with no visible rig from 1.5s until his hand grips the assembled camera at 10.5s. The assembled camera exists only before 2.2s and after 10.5s; between those times exactly two objects float — the camera body and the detached lens. Exactly one camera body and one lens exist in every frame.

02-01 삼성 광고 스타일 포토인화

SCENE CONTEXT A premium Samsung-style commercial demonstrates instant photo printing: a wedding couple's portrait materializes on glossy photo paper with vivid, lifelike color. The print slides out smoothly as if from an invisible printer, ink and detail resolving in real time — skin tones warm and natural, whites clean, shadows soft. LOCATION MAP Foreground: the emerging glossy print held at a slight angle, catching a crisp specular highlight along its edge. Midground: soft neutral studio surface. Background: clean gradient from warm gray to white, minimal and product-focused. FIRST FRAME / BLOCKING Blank glossy paper edge enters frame bottom-center. First hint of the couple's faces appearing in the print surface. Vertical 9:16 composition, centered. CAMERA Slow push-in on the print, shallow depth of field, premium lifestyle commercial feel. Gentle rack focus from paper edge to the couple's eyes as the image completes. ACTION 0.0s to 2.0s — blank glossy sheet advances into frame; color bleeds in from the center outward like a developing photograph. 2.0s to 4.0s — the wedding portrait fully resolves: bride and groom smiling, soft bokeh background in the print, rich saturation and Samsung-ad clarity. 4.0s to 6.0s — a hand enters frame and lifts the finished print toward the lens; light plays across the glossy surface. STYLE Samsung Galaxy / photo-print product ad aesthetic, ultra-clean highlights, punchy but natural color, vertical mobile-first framing, 4K clarity.

03-01 자연스러운 라이브포토

SCENE CONTEXT A natural Live Photo of a quiet wedding moment: a bride stands by a window in soft daylight, and the image holds the stillness of a photograph while a whisper of real motion loops seamlessly — a gentle blink, hair lifting on a faint breeze, fabric settling. LOCATION MAP Foreground: soft window light wrapping the bride's profile. Midground: bride in simple white dress, hands relaxed at her side. Background: out-of-focus garden greenery through the glass. FIRST FRAME / BLOCKING Bride in three-quarter profile, eyes open, soft smile, natural makeup. Portrait orientation, intimate framing from chest up. CAMERA Locked-off, documentary intimacy, shallow depth of field, warm 5600K daylight. ACTION 0.0s to 3.0s — near-still hold; at 1.2s a slow natural blink; at 2.0s a few strands of hair drift and return; dress hem shifts almost imperceptibly. 3.0s to 6.0s — loop point: motion returns to starting pose without a visible jump. STYLE Apple Live Photo / natural loop aesthetic, understated and authentic, no dramatic camera move, lifelike skin texture, vertical frame.

04-01 스케치북 축포 웨딩씬

SCENE CONTEXT A hand-drawn wedding sketch in an open sketchbook comes to life: ink lines of a couple beneath a chapel arch animate stroke by stroke, then confetti bursts upward in illustrated form, filling the frame with playful celebration. LOCATION MAP Foreground: textured cream paper with visible pencil underdrawing. Midground: the sketched couple at the altar, ink lines thickening and gaining color. Background: loose watercolor wash of warm gold and blush. FIRST FRAME / BLOCKING Half-finished sketch — couple outlined in black ink, empty space above for confetti. Top-down or slight angle on the open sketchbook. Vertical frame. CAMERA Gentle overhead drift, macro intimacy on the paper grain, stop-motion illustration energy with smooth digital motion. ACTION 0.0s to 2.5s — ink lines draw themselves: faces, hands joining, arch behind them. 2.5s to 4.5s — color washes in — blush, gold, soft green. 4.5s to 7.0s — confetti erupts in hand-drawn shapes, tumbling and spinning, settling across the page. STYLE Sketchbook illustration meets motion design, visible paper fiber, charming and warm, wedding-celebration mood, vertical 9:16, loop-friendly ending.